She was the only active woman filmmaker of the golden age of Japanese cinema and her second feature film, presented here, is a reflection of her immense talent. Kinuyo Tanaka, one of the greatest Japanese actresses, directed her first film in 1953, entering the Cannes Competition in 1954. The film was restored in commemoration of the 100th anniversary of the 1919 Chicago Race Riot.ĭirector Bill Duke and executive producer and co-screenwriter Elsa Rassbach in attendance. In addition, the soundtrack was digitally restored by Deluxe Entertainment Services Group from the film’s original 35 mm audio mono mix mag track. Productions completed the 4K restoration with color grading by Alpha-Omega digital in Munich and Planemo post-production in Berlin. Under the supervision of film's executive producer/co-writer, Elsa Rassbach, Made in U.S.A. The UCLA Film & Television Archive facilitated in-house 4K scanning of the film’s 16mm original picture negative, which is vaulted in the Archive’s Sundance Institute Collection. The director, actor (for John McTiernan, Samuel Fuller, John Landis or Steven Soderbergh) and producer, in Competition at Cannes with A Rage in Harlem in 1991, returns to the Croisette with his first film as director, presented at the Semaine de la critique in 1985. The curtain rises with Mark Cousins' pre-opening documentary the rediscovery of director-actor Kinuyo Tanaka and Spanish director actress, screenwriter and producer Ana Mariscal a tribute to director and actor Bill Duke a close-up on the first African-American director Oscar Micheaux the 1959 Palme d'Or the 70th anniversary of Les Cahiers du cinéma the modesty of Jacques Doillon two wonders from Michael Powell and Emeric Pressburger Martin Scorsese's Film Foundation and the World Cinema Project Tilda Swinton's first role cinema from the Ivory Coast, former Yugoslavia, Italy and former Czechoslovakia Alain Resnais's film at Cannes in 1966 Irène Jacob by Krzysztof Kie ślowski and Jeanne Moreau by Philippe de Broca some French thriller “soviet” films welcomed in competition at Cannes Orson Welles’s magic, the style of Max Ophüls four outstanding documentaries on the great producer Jeremy Thomas, Satoshi Kon, Luis Buñuel and Yves Montand a docudrama full of cinephile fury and twenty years later, the unsolved mystery of Mulholland Drive. It comes in both 32-bit and 64-bit downloads.As every year, the Festival de Cannes presents a selection of the best restored prints and invites us to explore again the history of Cinema. Previous versions of the OS shouldn't be a problem with Windows 8 and Windows 7 having been tested. What version of Windows can Filmotech run on?įilmotech can be used on a computer running Windows 11 or Windows 10. Download and installation of this PC software is free and 3.81 is the latest version last time we checked.
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